Gurren Lagann Review

Gurren Lagann (2007)

(4.5/5)

An engaging and curious world where two 'bros' set out on a journey to control Gunmen

I feel for 90s Gainax fans. They must be hitting their heads on a desk as the "Panty and Stocking" enters one ear and exits out the other. Luckily, they've got some redemption here with the new show "Gurren Lagann", a mecha by the makers of FLCL that has an unusual story cast of characters

I think the term 'unusual mecha' might also mean that it could be very accessible to the non-mecha fan like myself. I entered Gurren with some skepticism that I'd like it as much as I did. The focus is not just on robots or the fights that are conventionally involved in this kind of anime. It relies a lot on other aspects and has a very intriguing antagonist that feels sort of abstract at times, mixing in well with the abstract backdrops of Gurren's design.

It really has three big acts. The first one (eps. 1-8) being the best, the second, (eps.9-15) and the third (17-27) both being very good. Episode 16 is a recap.

Where most of humanity is trapped underground, two orphans, Simon and Kamina, find there way towards the surface, along side Yoko Littner, a girl who has lived there for some time team up with a large group of friends they meet along the way. Together they are determined to defeat "beastmen", non-spiral beings who are capable of controlling Gunmen, the robots that make this a mecha . The "beastmen" are lead by Lord Genome, (Spiral King). He was the guy who created them, and was the main antagonist for most of the time in the series.

In the second act, Theres a lot of good drama. We see Simon being very confident in what he has to do and Yoko being very sad. Also, Simon kind of has a love interest as well with a mysterious new character Nia, who is suppose to be Lord Genome's (Spiral King) daughter. The big and best battle begins when Simon fights against the Spiral King.

Towards the end of the series, things get a little weird but still maintains its awesome-ness. There is a time lapse where our Simon has grown into a man. His girl Nia turns into a psychotic android who wants to destroy all of the spirals, the fictional energy that everybody has. Rossiu is an idiot and Viral, a beastman, turns good and fights with Simon. And best of all Yoko is a teacher!!

This is definitely one of my favorite s of all time. I loved the characters, the relationships, and most of all the story. The only criticisms I'd give it is that the music could of used some improvement and the animation may be hard to follow for some. But again, it was amazing. Even if you don't like mecha , you should watch it.

Highschool of the Dead Review

Highschool of the Dead (2010)
(3.5/5)

A great, stylistic hodgpodge of zombies and teenagers

Animes like Samurai Champloo, Cowboy Bebop and Afro Samurai do a great a job in the "pure entertaininment" category. Likewise Highschool of the Dead shows us that a high budget anime can do a lot of things to attract a larger audience.with spectacular animation. Although its ridiculous overload of fan service and risque humor will displease some viewers, sometimes the element works for its quirky and strange characters.

Throughout the series, you notice a strange parallel with the George A. Romero's 1978 horror flick "Dawn of the Dead". Surely the zombie genre has been done so many times but HOTD surprisingly had anentertaining story in each episode. In addition, it is animated. It differs from the live action experience and certainly creates a new name for itself.

It's all about the entertainment. This show is definitely second on my list for anime of the year in 2010 right behind "Durarara!". Since the fan service can get a little over the top at times, its best to laugh at than to take it seriously.

"Top of the Lake: Season 1" Review

Top of the Lake is an underrated, dreary, slow-burning crime drama that makes for one of the best shows of 2013

4.5/5

Rape and sexual assault are the two most unreported crimes in our society. According to RAINN (Rape Abuse and Incest National Network), 44% of all sexual assault and rape victims are below the age of 18. The saddest part is that only 6% of all rapists will spend a day in jail.

12-year-old Tui Mitcham quietly rides her pink bike out the driveway a ways down to the nearby lake. The day is grim, there is a fog in the distance, her face is blank, void of emotion. Welcome to Queenstown, New Zealand. Tui slowly glides deeper and deeper into the lake's ice cold water until she is shoulder deep. "The water will kill you!" says a concerned teacher, racing off the school bus that passes by. A suicide attempt? No. She just wants to feel numb.

Tui is four and a half months pregnant. How on earth could this have happened? An expert in child protection, Detective Robin Griffin (Elisabeth Moss) is called in to take the case, and when it comes to children, Robin is our favorite kind of female detective. Driven by pure empathy and her own traumatic childhood experiences, she will stop at nothing to preserve a child's innocence. She is driving a dangerous course though, as Queenstown is the very birthplace of her hellish scars. When Tui goes missing, Robin is not only forced to rediscover her past, but to uncover the small town's long-buried and extremely unpleasant secrets.

There isn't a whole lot of evidence to uncover here, but rather an extreme depth in several characterizations. And that is the show's ingeniously sensitizing way of unfolding the mystery. There are several people we naturally stereotype when we are first introduced, but through each episode, we are constantly realizing there is something more to consider in order to solve the crime. Tui's father, Matt Mitcham (Peter Mullan), is old, mean and sexist. He lashes out several times at a group of women who have moved to a piece of land where his mother was buried, called Paradise. He abusively worships his mother's grave and takes his anger out on any female he encounters. He must have committed the crime. His henchmen-like sons are quite suspicious as well. And then of course there is the local but alienated town pedophile. In today's society, pedophiles are considered the scum of the earth, but after Robin engages in an emotionally riveting confrontation, we can't help but empathize with this troubled man. He only wants to "love child, not hurt him."

There is really only one place that we feel is safe in Queenstown, and that is the women's recovery camp in Paradise. The women here are broken and troubled, most of them from relationships with men. Naturally, these weakened women have gone to Paradise to follow a spiritual leader, GJ (Holly Hunter), whom they look to for all the answers. Ironically, GJ gives off a more pessimistic and arrogant vibe than we would expect from such a figure. She gives advice and claims prophecies through a sort of depressive, existential belief. Yet all this is meant to be enlightening. And it is. Give up, let go, who cares, stop thinking, just be, just do. Though perhaps it is the uncompromising surety of herself that makes her so admirable. Her confidence is inspiring.

Top of the Lake puts under the microscope an excellent commentary of the modern-day nuclear family and the disturbing sexual encounters involved. The husband, the wife, the mother, the father, and the children are all at war. It is up to us to break free from the never-ending cycle of abusive family relationships. Our family is what we make it.

Elisabeth Moss won the 2014 Golden Globe for Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television for her portrayal of Detective Robin Griffin, and the show was also nominated for Best Mini-Series or Motion Picture Made for Television. It was nominated for several Emmys and justly snagged one of them for Outstanding Cinematography for a Miniseries or Movie. In my opinion, Top of the Lake is one of TV's best productions of 2013.

Top of the Lake is available to stream on Netflix Instant.

"You know there's a Maori legend about this lake that says there's a demon's heart at the bottom of it. It beats, it makes the lake rise and fall every five minutes...It was this warrior that rescued a maiden from a giant demon called Tipua. And he set fire the demon's body while it slept and burnt everything but it's heart. And the fat melting from the body formed a trough. And the snow from the mountains ran down to fill it to form this lake." -Johnno Mitcham (Thomas M. Wright)

"Arrow: Season 1" Review

"Arrow" proves to be one of the best comic book to TV adaptations to date.

3/5

"You have failed this city," exclaims Starling City's vigilante, The Hood a.k.a. Oliver Queen, as he aims his bow and arrow at his victim's heart. These are the last words his victim will hear. Oliver Queen is a murderer but only in the interest to save those who are innocent. Perhaps he isn't as cool as Batman, who can serve justice without taking a life, but Arrow accomplishes a better sense of realism in the fact that sometimes, people must die for the greater good.

For five years Oliver Queen fought everyday for survival on a remote island in the Pacific after the boat he was on shipwrecked, killing his father, Robert Queen and his girlfriend's sister, Sara Lance. He returns home with a mission to right the wrongs committed by his father and to make amends for the immature and selfish playboy he once was. Halfway into the pilot episode, Oliver jumps right into his Robin Hood-like getup and starts cleaning up the streets, which is unorthodox in a superhero story because it skips over the vital information of how he came to be. Though it's tolerable for now because the action scenes are very well choreographed and keep us wanting more.

Arrow suffers from a very slow start. There are many characters to get to know in the beginning, and their interactions involve many discussions of the changes and tragedies that took place while Oliver was gone. It's hard to care about such things when we are just starting to get to know these people. The first few villains are uninteresting as well. They are merely rich folk whom have gained from other people's losses, and besides that, they are barely characterized. Like always, The Hood warns them to change their ways, and if they don't, they receive an arrow in the chest.

Arrow picks up steam after a few episodes once we start getting flashbacks of Oliver's struggles on the island. They are cleverly paralleled with the events taking place in present time and provide more than one plot to get excited about. In addition, questions of morality and law are debated throughout the show as police detective Quentin Lance will stop at nothing to arrest the murderous vigilante. Everyone agrees The Hood needs to be brought to justice, except for a select few, whom eventually realize The Hood's identity to be Oliver and decide to join his fight to make a difference. This is when things start to really get exciting. Finally Oliver has people to converse with about his plans to save the city. His sidekicks not only aid him on his missions but provide him with wisdom and the show's much-needed comic relief.

Oliver Queen is portrayed by actor Stephen Amell. He is a decent actor but plays the part particularly well because he is good looking and extremely muscular. He performs many of his own stunts, which are often better than movie quality and end up being one of the high points of the show. He takes out hordes of enemies that wield guns and knives with nothing but arrows and mixed martial arts. Believe it or not, a bow and arrow proves to be an excellent choice of weapon for it's stealth, accuracy and it's creative ability to carry explosives, fire, nets, voice recorders and many other gadgets.

The characters of Arrow are based on the characters of the DC Comics series Green Arrow. It's a great start so far for DC Comics in their attempt to turn their stories into live-action television. Be on the lookout for possible upcoming DC Comics-based shows such as Gotham, The Flash, Constantine, Hourman and Amazon.

Arrow Season 1 is available to stream on Netflix Instant.

"Guns are weapons of emotion and unpredictability."- Oliver Queen