The Mill and the Cross (2011)
(3.5/5)

Visually lush, 'The Cross' is successful in depicting Brueghel's masterpiece
Since the filmic language involves
capturing a 3-dimensional space, I found “The Mill and the Cross,” a 2011 drama
film, directed by Lech Majewski, a unique envisioning of Pieter Brueghel’s 1564
painting “The Way to Calvary.” Throughout the film, the theme of Christ’s
suffering is set in contradiction of the religious persecution in Flanders.

Pieter Brueghel's "The Way to Calvary," y. 1564
Pieter Brueghel's "The Way to Calvary," y. 1564
The film magnifies the painting with
a different set of lens. In the opening shot, the camera pans from left to
right showing the large cast of characters from Brueghel’s painting. Scholars
in film often times criticize horizontal panning; particularly when the camera loses
a greater sense of depth, however, Brueghel’s painting—being a 2-dimensional
piece of art causes us to think otherwise about the film. With the exception of
subjects moving within the frame, I believe this opening shot gave us the
illusion we were seeing his actual painting.
However, there were also some parts
which I was confused, in particular, the transitioning of each scene. While
there are some amazing techniques used in the film to mimic the painting, I
believe that some of them were not properly used.
This makes the film surprisingly more
ambiguous, and therefore offers several interpretations of Brueghel’s painting.
One is how Brueghel‘s thought process on the composition and applied brush
strokes constructs each scene. When he is sitting alongside his patron, he is
the omniscient narrator of the film and he has absolute control over plot
development. The other interpretation is that each part of the film either correlates
to a religious or political message. Christianity and politics were two major
subjects expressed in Brueghel’s painting, but the film had to get extremely
close-up on each character’s emotional reactions to the persecution in order to
convey a similar meaning to Brueghel’s. Certainly, Majewski’s “The Mill and the
Cross” is an unusual reworking of Brueghel’s “The Way to Calvary.”
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